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It all came undone with a sweater: A creamy, quilted, luxuriously expansive, undoubtedly astronomically priced bit of costumery that Donna (Kerry Bishé) tried on — and saw that it fit.The sweater belonged to her new friend, divorced Silicon Valley investor Diane (Annabeth Gish), who had a name not too different from Donna’s and, as it turned out, a life the slightly younger woman could snugly wrap herself in.has become one of TV’s best dramas because it’s so hesitant to make anyone the bad guy; everyone’s perspectives and motivations compete ruthlessly for our sympathies.But it’ll be hard not to root especially hard for Donna in the show’s fourth and final season next year, as she potentially battles the petulant children she’s outgrown and once again fights to be seen as the formidable force that she’s become.The rapid but utterly believable deterioration of the friendship between Cam and Donna, one of the most thrillingly unique female partnerships in all of pop culture, was arguably the most compelling (and heartbreaking) story line in ’s magnificently full-tilting third season, which wrapped up earlier this week.But it’s Donna’s continuing evolution, accelerated by the unexpected four-year time jump between the eighth and ninth episodes, that best represents the AMC drama’s timely explorations of genius, success, influence, and gender in the tech industry.Donna began as a cautious cautionary tale, a practical wife who’s been burned by her husband’s monomania and a trained engineer who toiled for decades in service of the dreams of the men (e.g., Gordon, Joe, and her same-age boss) around her.But at the start of Season 3, she’d single-handedly moved her entire family from Dallas to Silicon Valley and forced a new level of equity in her dying marriage — thus forestalling its demise by a few more years — in order to take Mutiny to the next level.

Though he learned to be more empathetic this season — at least to other brash and arrogant young men like Ryan (Manish Dayal) who reminded Joe of himself — his genius archetype hasn’t really changed.

Even she says of her former best friend and herself, “Cam is the genius.

Donna is the mom.” And yet she’s the one sitting atop Silicon Valley in 1990 — and, by the finale’s end, soaring above the others en route to Switzerland.

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