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f the name Antonio Lopez doesn’t ring a bell, surely the clean lines and vibrant gestures of his work will.
After graduating from the prestigious High School of Art and Design, Lopez began his illustration career in earnest at the Fashion Institute of Technology in the 1960s.
Using resources like archive footage, photographs and animated iterations of Lopez’ iconic drawings, the film paints a loving portrait of a soul sorely missed, and an exciting time long gone by.
Andy was quiet and let things happen around him; Antonio created the things that happened.” magazine in 1973 celebrated the women Lopez had discovered and drawn, often playing a heavy hand in their future careers: Cathee Dahmen, Pat Cleveland, Eija Vehka Ajo, Patti D’Arbanville, Amina Warsuma, Carole La Brie (the first black model to grace the cover of ), Alva Chinn, Tina Chow, Jessica Lange – the list goes on.
“He was so far ahead of his time,” model Donna Jordan says in the film, “he was in another century.”The early ‘70s was a wild and exciting time, full of new energy, movement and ideas.
, a film by director James Crump, is an intimate and vivid look at the most influential fashion illustrator of the 1970s, Antonio Lopez.
Charting the development of his talent and extraordinary group of friends and lovers, the documentary is a far more emotive and dazzling look at the fashion world than its more controlled – and sometimes dull – predecessors.
A seminal fashion illustrator who helped launch the careers of proto-supermodels Grace Jones and Jerry Hall, Lopez made his name during that brief, heady twilight between the sexual revolution of the 1960s and the AIDS crisis of the 1980s.
His ascension from New York’s burgeoning hippie culture to the runways of Paris and Milan is the focus a new portrait-documentary by director James Crump (Black White Gray: A Portrait of Sam Wagstaff and Robert Mapplethorpe).